This exhibition was sort of important for me because I recently joined the ABBA club and I did a collaborative piece with a friend of mine and was able to submit it into this exhibit. This is my first public piece and I was a bit nervous. I would like to say that I wish I had more time on my piece since there were a few problems I had with it and would have like to fix it. Overall, the process of making it, submitting it, and seeing it displayed in public has taught me some important lessons. It's been quite the learning experience for me.
Anyway, I found the exhibit to be really interesting. It contained many different styled works, all playing with the idea of books as a sculptural form. There were a few works that caught my eye. One being "Feed the Meter" by Jacob A. Meders. I found it to be visually appealing and the concept was comical to me. I love the choice of books he used as part of the piece, like Giant Book of Dirty Jokes, Honor Among Thieves, and Original Sin. I feel that there is a common link between all of them and the fact that there is a meter glued on top and that it is titled "Feed the Meter" suggests that there is an unspoken message behind the piece.
Another piece I enjoyed was "Fortune Cookies" by Roison Rubio. The humor really appealed to me. Each fortune cookie box had the words "For control freaks," "For pessimists," "For the blind" and so on printed on the front. In front of each box were a couple of fortune cookies with the fortunes rolled out so people could read them. The messages would in some way correspond with what a control freak, or a pessimist, or etc would feel or say. For example, for the control freak box, there was a fortune that said, "I can't control what goes on outside, but I can control what goes on inside." I especially liked the one for the blind. The fortunes were in braille.